Showing posts with label quote. Show all posts
Showing posts with label quote. Show all posts

loneliness will follow

Do you want to go out with us? 
    Not right now. I'm at the bottom of the sea. 
You're under the sea? Then you should stay there a while. Generally humans tend to float. 
    You mean dead bodies float? 
Dead or alive they float, you know. When you're calm, you float. But when you panic and struggle, that's when you sink. So stay there as long as you need to, and when you float back up, I'll take you out somewhere.


---

They say we're all humans. It's not true. Actually, we all come from different planets. So really, it's no wonder we can't understand each other. 
    Even families? What about lovers? What about friends? 
It's no use. You know, it doesn't matter. Because we're all from different planets. Don't you think it makes a lot of sense? 
    We're all aliens. But they must exist somewhere. Some people from my planet. Same as me.

---

My mom died. But.. I felt nothing. No sadness, no regret, no loneliness. Honestly I didn't feel a thing. I didn't cry once. I wonder if you had been my mother, what kind of person I could've become? 

---

So are you thinking of going far away? It's okay. You can stop running away now. No matter how fast you run or how far you go, your loneliness will follow. 

---

From Call Me Chihiro, 2023.

let's go back to writing

"I never wanted to blog before. I’ve never liked the word blog—I suppose it is meant to stand for bio-log or something like that, but it sounds like a sodden tree trunk in a bog, or maybe an obstruction in the nasal passage (Oh, she talks that way because she has such terrible blogs in her nose). I was also put off by the idea that a blog ought to be “interactive,” that the blogger is expected to read people’s comments in order to reply to them and carry on a limitless conversation with strangers. I am much too introverted to want to do that at all. I am happy with strangers only if I can write a story or a poem and hide from them behind it, letting it speak for me.
 
My trials/attempts/efforts (that’s what
essays means) so far have very much less political and moral weight than Saramago’s and are more trivially personal. Maybe that will change as I practice the form, maybe not. Maybe I’ll soon find it isn’t for me after all, and stop. That’s to be seen. What I like at the moment is the sense of freedom."


When browsing through some reviews on goodreads I found a link to Ursula K. Le Guin's blog. The passage above was her very first post. And then two days later by chance I started reading her book No Time To Spare which I only realised later was a collection of her blog posts. Only several chapters in and I'd already so delighted by it. They were snippets of her thoughts and her daily life and I really enjoy them. I was reading both Le Guin's book and Annie Ernaux' book in the same day and I found it amazing how I could fall in love with someone through their writing, no matter how simple.

I have been saying over and over again that I wish we're back to the day where everyone had blogs. A lot of times I find myself thinking but I wanna know your deepest thoughts, your rumination, your fascination when all I got was posts and stories on social media which more often then than not are just subtle boast of how successful or happy one's life is. I mean I don't hate it. It just doesn't really mean anything. 

It is of course a lot harder today to really take time to sit down and write. Back in the day entertainment was very limited, phones weren't "smart" yet. We had time to sit down with our thoughts and had time to really process them. Today everything is effortlessly within the reach of our fingers. Endless entertainment online, bottomless scroll of social medias, mobile games, etc. Thoughts are easier to be shove down with distractions. Even when we are already sitting down to write, distractions are still there so easy to reach. As much as I like to write, it is hard. It often took me three months to even finish a post. I'm still often amazed of myself back in the day when even on a busy day I still could sit on the bed and write my thoughts out. 

Many of my friends stopped writing and deactivated their blogs in order to be more private, not revealing too much especially to newer people we met when we're older. I also am embarrassed of many things I posted when I was much younger and still have many posts I need to set to private. But these days I feel a lot more urgency to write my thoughts than ever. I am a lot older now therefore having more conviction on many things, I understand the world a little better now and I want more to say it. And I want to know other people's thoughts. I am still getting older and the world keeps going and changing, writing can in a way reflect the journey of growing. 

And then the word "blog" itself these days seems to be getting slightly negative connotation. I remember reading someone criticising a book by saying the writing feels like a "blogpost writing". What do you even mean? A "blog" is just a medium to put writings online. The quality of the writings will depend on who writes them. I really disliked it when people started migrating to medium.com from their own personal blogs. They put statistics on each writings. How many likes, how many "claps", how many quotes, whatever. Sure with these kinds of platforms it's easier to draw traffic to certain topic of writings, but it feels like another attention seeking competition. 

Anyway, I think missing the "blogging" era is in a way a craving for more meaning or deeper thoughts in the midst of endless entertainment, mindless scrolling, and the joy in vanities. With no likes no statistics, just let's be quiet together in conversation. 

a collective victory

"This is how I conceived my commitment to writing, which does not consist of writing ‘for’ a category of readers, but in writing ‘from’ my experience as a woman and an immigrant of the interior; and from my longer and longer memory of the years I have lived, and from the present, an endless provider of the images and words of others. This commitment through which I pledge myself in writing is supported by the belief, which has become a certainty, that a book can contribute to change in private life, help to shatter the loneliness of experiences endured and repressed, and enable beings to reimagine themselves. When the unspeakable is brought to light, it is political."

"By granting me the highest literary distinction that can be, a bright light is being shone on work that consists of writing and personal research carried out in solitude and doubt. This light does not dazzle me. I do not regard as an individual victory the Nobel prize that has been awarded me. It is neither from pride nor modesty that I see it, in some sense, as a collective victory. I share the pride of it with those who, in one way or another, hope for greater freedom, equality and dignity for all humans, regardless of their sex or gender, the colour of their skin, and their culture; and with those who think of future generations, of safeguarding an Earth where a profit-hungry few make life increasingly unliveable for all populations." 

- from "I Will Write to Avenge My People"by Annie Ernaux, which was her Nobel Prize lecture, can be read here.

psychopolitics

 "People who fail in the neoliberal society see themselves responsible for their lot and feel shame instead of questioning society or the system. Under the regime, people are turning their aggression against themselves, the exploited aren't inclined to revolution so much as depression.

Neoliberal psychopolitics, with the consciousness industry it promotes, is destroying the human which is anything but a machine of positivity. The neoliberal subject is running aground on the imperative of self-optimization, on the compulsion always to achieve more and more. The neoliberal imperative of self-optimization serves only to promote perfect functioning within the system. Inhibitions, weakness and mistakes are to be therapeutically eliminated in order to enhance efficiency and performance.

Endlessly working at self-improvement resembles the self-examination and self-monitoring of Protestantism, which represents a technology of subjectivation and domination in its own right. Now, instead of searching out for sins, one hunts down negative thoughts." -from Psychopolitics: Neoliberalism and New Technologies of Power


lunana


"The bond between a yak and his herder is so sacred. It's as close as family. When they are alive, the yaks benefits us so much. Whenever the village needed meat, they would gather all the yaks, they would throw a lasso in the air, whichever yak the lasso landed on, that yak would be slaughtered. It was the most heartbreaking moment for the village."

with all the narrative about veganism that has been echoed loudly by the western communities, this one short dialog from lunana: a yak in the classroom speaks louder and hits right on point on how animals should mean to all of us.

è stata la mano di dio

"La vita non mi piace più. Non mi piace più. Ne voglio un'altra, immaginaria, uguale a quella che tenevo prima. La realtà non mi piace più. La realtà è scadente. Ecco perché voglio fare il cinema."


Fabietto: I want to go to Rome to see if I'm cut out for making films.
Capuano: Rome? The great escape...Fucking distractions. In the end you come back to yourself. You come back to failure. Everything's a failure, a pile of shit. No one can escape his own failure, and no one gets out of this city. Rome... What the fuck you gonna do in Rome? Only assholes go to Rome. Do you know how many stories there are in this city?

to me paolo sorrentino's "The Hand of God" explains what films are all about. to tell our stories and to escape reality. it is a film about family affair and the coming of age of a boy but how it was crafted really felt like it's a very personal story. i watched an interview with the director where he explained how it was about his upbringing and how it was shot really on the neighborhoods he grew up in. it feels like an approach i would do if i were a filmmaker. childhood and upbringing played a major role on how we became who we are today and to be able to synthesized it into a work of art must felt really precious.

another thing that struck me was one of the ending scene where the boy is scolded by the big director and the director tried to tell him, as quoted above, that there are countless stories even where you are now, you don't need to escape to be able to tell your stories. this fondness of one's own city (in this case is sorrentino and napoli) is something i've always been envious about whenever i encounter it in literature or films. as someone with nowhere to root in and have nothing but hatred to my own hometown, i can only imagine and hope that maybe someday there will be such place. 

the nature of mind

"Despite this massive and nearly all-pervasive denial of its existence, we still sometimes have fleeting glimpse of the nature of mind. These could be inspired by a certain exalting piece of music, by the serene happiness we sometimes feel in nature, or by the most ordinary everyday situation. They could arise simply while watching the snow slowly drifting down, or seeing the sun rising from behind the mountain, or watching a shaft of light falling into a room in a mysteriously moving way. Such moments of illumination, peace, and bliss happen to us all and stay strangely with us. 

I think we do, sometimes, half understand these glimpses, but modern culture gives us no context of framework in which to comprehend them. Worse still, rather than encouraging us to explore these glimpses more deeply and discover where they spring from, we are told in both obvious and subtle way to shut them out. We know that no one will take us seriously if we share them. 

We are so addicted to looking outside ourselves that we have lost access to our inner being almost completely. We are terrified to look inward, because our culture has given us no idea of what we will find. We may even think that if we do we will be in danger of madness." –from The Tibetan Book of Living and Dying


let if enfold you

either peace or happiness, let it enfold you

when I was a young man, i felt these things were dumb, unsophisticated. 
i had bad blood, a twisted mind, a precarious upbringing.

i was hard as granite, i leered at the sun.
i trusted no man and especially no woman.

i was living a hell in small rooms,
I broke things, smashed things, walked through glass, cursed.
I challenged everything,
was continually being evicted, jailed, in and out of fights,
in and out of my mind.

women were something to screw and rail at,
I had no male friends,
I changed jobs and cities,
I hated holidays, babies, history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, english accents, spain, france, italy, walnuts and the color orange. 
algebra angered me, opera sickened me,
charlie chaplin was a fake and flowers were for pansies.

peace and happiness to me were signs of inferiority,
tenants of the weak and addled mind.

but as i went on with my alley fights,
my suicidal years,
my passage through any number of women-
it gradually began to occur to me
that i wasn't different from the others,
i was the same,
they were all fulsome with hatred,
glossed over with petty grievances,
the men i fought in alleys had hearts of stone.

everybody was nudging, inching, cheating for some insignificant advantage,
the lie was the weapon and the plot was empty,
darkness was the dictator.

cautiously, i allowed myself to feel good at times.
i found moments of peace in cheap rooms just staring at the knobs of some dresser 
or listening to the rain in the dark.
the less I needed the better I felt.

maybe the other life had worn me down.
i no longer found glamour in topping somebody in conversation.
or in mounting the body of some poor drunken female whose life had slipped away into sorrow.

i could never accept life as it was,
i could never gobble down all its poisons
but there were parts, tenuous magic parts open for the asking.
i re formulated i don't know when, date, time, all that but the change occurred. 

something in me relaxed, smoothed out.
i no longer had to prove that i was a man,
i didn't have to prove anything.

i began to see things: coffee cups lined up behind a counter in a cafe.
or a dog walking along a sidewalk.
or the way the mouse on my dresser top stopped there with its body, its ears, its nose,
it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful.
then- it was gone.

i began to feel good,
i began to feel good in the worst situations and there were plenty of those.

like say, the boss behind his desk, he is going to have to fire me. i've missed too many days.
he is dressed in a suit, necktie, glasses,
he says, 'i am going to have to let you go'
'it's all right' i tell him.
he must do what he must do,
he has a wife, a house, children, expenses, most probably a girlfriend.
i am sorry for him he is caught.

i walk onto the blazing sunshine.
the whole day is mine temporarily, anyhow.

(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, disillusioned)

i welcomed shots of peace, tattered shards of happiness.
i embraced that stuff like the hottest number,
like high heels, breasts, singing, the works.

(don't get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems just for the sake of itself- this is a shield and a sickness.)

the knife got near my throat again,
i almost turned on the gas again
but when the good moments arrived again i didn't fight them off like an alley adversary.
i let them take me, i luxuriated in them, i made them welcome home.

i even looked into the mirror once having thought myself to be ugly,
i now liked what i saw, almost handsome,
yes, a bit ripped and ragged, scares, lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a baby's butt.

and finally i discovered real feelings of others, unheralded,
like lately, like this morning, as i was leaving, for the track, i saw my wife in bed,
just the shape of her head there
covers pulled high, just the shape of her head there

(not forgetting centuries of the living and the dead and the dying, the pyramids, mozart dead but his music still there in the room, weeds growing, the earth turning, the tote board waiting for me)

i saw the shape of my wife's head, she so still, i ached for her life, just being there under the covers.
i kissed her in the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive. feeling warm to the fingertips, down to my foot on the gas pedal, i entered the world once more, drove down the hill past the houses full and empty of people, i saw the mailman, honked, he waved back at me.

poem by charles bukowski, as narrated by timothée chalamet at the end credit of beautiful boy
 

on certainty

"Certainty is the most terrifying thing to me. I think a life of faith is not a life of certainty. A life of faith is a life of doubt. And i think it is so healthy to doubt. It is so healthy to doubt oneself, it is so healthy to doubt any assumption we make about how to live. Certainty starts war on behalf of ideology. Certainty that, "I know and you don't". That's the scariest thing to me." - Andrew Garfield talking about Silence


an existentialist.


sartre claimed that a central proposition of existentialism is that existence precedes essence, which means that the most important consideration for individuals is that they are individuals—independently acting and responsible, conscious beings ("existence")—rather than what labels, roles, stereotypes, definitions, or other preconceived categories the individuals fit ("essence"). the actual life of the individuals is what constitutes what could be called their "true essence" instead of there being an arbitrarily attributed essence others use to define them. thus, human beings, through their own consciousness, create their own values and determine a meaning to their life.

let it happens


let everything happen to you: beauty and terror.
just keep going. no feeling is final.

- rainer maria rilke. 

on assumptions

"I’m used to people making assumptions about me. It happens all the time, on so many different levels — based on race, sexuality, looks, gender, the clothes I wear. I used to be very offended by people assuming that I should be one way or another because of the way I look. They’re shocked that I’m from the South but don’t speak a certain way, or that I wear the kinds of clothes I wear, or that I could be an artist. Someone recently told me that I was ‘a new concept.’ These days, I use being seen as mysterious as a sort of shield or filter — and it’s reminded me to assume that everyone is multifaceted until proven otherwise. More often than not, questions about 'what I am' open up an interesting dialogue that’s helped me learn more about people, as they learn more about me. On top of everything, I’ve realized that I don’t want to be someone who’s easily figured out. So I invite the questions — I’m not offended by them anymore."Dez'Mon Omega Fair, painter.

from here.

a roma con amore


Definitely not Woody Allen at his best, especially after the darling Midnight in Paris. But I guess we can still count on him for the clever lines popped here and there. One of my favorites is of course when Jesse Eisenberg's and Ellen Page's characters are talking about an Italian guy he just introduced to her, and she said this, "He's not the most soulful character.. He's not a sufferer. There's something attractive about a man who's sensitive to the agony of existence." There you go, it sums up well what I've always trying to say about that thing that I like from a man.

the invisible people

I remember my boss once told me to start reading self help and motivational book and said that reading fictions only trains my language and serves no other purpose. I knew right away that he was wrong but I'm not a person who usually organize my thoughts, I didn't have any argument to back me up. This morning I came across a beautiful tumblr blog which I instantly fell in love with, it is as if it speaks in the same frequency as my mind. And on the blog she wrote,
"Do you know what makes writing great? You believe in the existence of invisible people. You believe. The concepts of another world, another language, another human being’s suffering and doubt. Great books make you forget that it is light outside, they make you want to curl up and live inside of them. The world becomes pale, as the book intensifies your deepest dreams and your most secret nightmares."
I guess those lines served me my argument, that reading - and writing - aren't merely to train our language, but are so much more than just that.

certainty


"Uncertainty is an uncomfortable position.
But certainty is an absurd one."
- Voltaire

(via swissmiss)

on truth and reality

Aristotle’s definition of truth:
“To say of what is that it is not, or of what is not that it is, is false, while to say of what is that it is, and of what is not that it is not, is true; so that he who says of anything that it is, or that it is not, will say either what is true or what is false.”

Reread and you'll get what he meant :D

eat in silence

"M. Yoshoto leaned his newspaper against my water glass, and the three of us ate in silence; that is, they ate and I systematically swallowed in silence." 
- from short story De Daumier-Smith's Blue Period by J. D. Salinger, in the book Nine Stories

Post this just because I realized I haven't posted anything from Nine Stories since I read it, unlike another two of his books that I've read. I'm always in love with the way he describes a situation. And how he uses the language in form of dialogues makes it so easy to visualize each scene it's almost like you're playing your own version of the movie in your head. If there ever comes a day when they make movie from Salinger's books, that, I assure you, will be the saddest day in the realm of literature.

finally shifted?

“What the world needs is a set villain that people can point at and say, “It’s all your fault!” - Murakami


Call me so yesterday, but this morning at 9:38AM I finally finished reading my very first e-book. Now this is quite something for me. I've always said that I can't read on screen (computers or any other gadgets) when it comes to long passages, unless I really really have strong interest, and it needs extra focus. It makes me dizzy and I tend to skip a lot of lines, usually end up not reading it. I've tried reading Hemingway's e-book and gave up on the 8th page. So it's quite a surprise that I finished this one in less than 3 weeks.

Now, having finally experienced all the convenience of reading a paper-less book, it scares me somehow how this would affect my habit. Strolling around fancy bookstores has been one of the most joyous activity I always treasure on my daily basis. And hunting for the right cover of a title works more effectively for me than any other retail therapy. But on the other hand, I also realized that my reading pattern has changed. These days I read mostly during my commuting time in the morning, which is only about 15-20 minutes of bus ride, or during the intermission of a performance, well, basically I no longer set aside the time to read but I read during the time when I couldn't do anything else. I don't read on a nice sofa with coffee in hands flipping through pages but I read on those idle moments between activities.

So, conclusion is.. Printed books, right now I still have two I have to finish, two virgin ones I have to start soon, and one I have to reread. After that, we'll see what happens next.

ps. the Running book cover was designed by Jody Barton, who has a pretty cool doodle blog.

youth we are


"It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life."
- W. Somerset Maugham

the gift of confidence

This is corny. But it's the first romance-related quote after quite a while, that could really mean something to me.


“You're gorgeous, you old hag, and if i could give you just one gift ever for the rest of your life it would be this. Confidence. It would be the gift of confidence. Either that or a scented candle.”
― from the very last page of One Day by David Nicholls


ps. I didn't read the book. I was just strolling around bookstore, flipping pages, and found this.